#Kick movie songs on youtube tv#
The fact the pair were not seasoned entertainers was key to their appeal: it was as if your friends had made a TV show.
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I didn’t sleep a wink – I can remember going into that studio having not slept for 24 hours, with that horrible white hot feeling of exhaustion and anxiety. “Whenever we did anything live it was excruciating – we’d get so nervous.” Promoting the show on other programmes such as The Big Breakfast was an ordeal. “We had no experience, we hadn’t trained as standups,” says Cornish. The thing was, Buxton and Cornish weren’t comedians – at least not in the conventional sense. It was helmed – for not hugely clear reasons – by Channel 4’s religion department, and the only guidance that commissioner Peter Grimsdale provided was that the show should be “an expression of how you really feel and your friendship”. “We were allowed to do whatever we wanted,” says Buxton. It seems incredible now, but the pair were given no brief. Appearing on The Big Breakfast was terrifying – it was more traumatic than A-levels It was giddy, densely packed and determined to burst its own bubble at every opportunity. It involved friends and family: their schoolmate Louis Theroux suggested a feature known as BaaadDad, which involved Buxton’s father critiquing pop music in a cantankerous manner. It was genuinely DIY: the pair filmed it all themselves, making their spectacular “toy movies”, which recreated Trainspotting and American Beauty using childhood toys. When it first aired, the Independent described it as “Wayne’s World without the budget”. It had to-camera links, a homely set and no laugh track. Its major theme was pop-cultural commentary, but there was much that fell outside that remit. When that programme ended, the pair were offered their own show.ĭecades on, it is difficult to sum up what The Adam and Joe Show actually was. Buxton’s videos impressed producers so much he was given a job as a researcher, then presenter, and soon recruited his best friend to help. Photograph: Channel 4Ĭornish went on to film school and Buxton to art college, but they reunited in their 20s when Buxton landed a job on Takeover TV, a Channel 4 showcase for homemade films sent in by viewers – including a young Edgar Wright and Graham Norton. Cornish, now known primarily as the director of films including Attack the Block, describes them as “camcorder friends”. They soon embarked on their own creative endeavours: comics, plays, videos. In his recent memoir, Ramble Book, Buxton pinpoints 1984 as “the year I really fell in love with Joe”, after the pair bonded over Not the Nine O’Clock News, Monty Python and the Thompson Twins as young teens at Westminster school. Yet the roots of the pair’s double-act can be traced back at least another decade. Today, Buxton, in his house in Norfolk (specifically, a study stuffed with pop culture curios), and Cornish, from his home in Stockwell, south London, are reflecting on their eponymous hit show 25 years after it started. “And the really rotten part under the sea,” agrees Buxton.
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“They know the special public face of Mount Buxton, not the unclimbable face that’s battered by winds and hounded by yetis.” “They still don’t know the real you,” replies Cornish.
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They have probably spent more time with me than members of my family or friends.” They feel as if they know us – and I think they do. “Every now and again I’ll get a sense of people saying: ‘I don’t think you should have said that to Joe’ or ‘Joe was a bit mean to you there’ and I find that a little bit odd,” muses Buxton.
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Perhaps that sentence only makes sense to you if you’ve spent countless happy hours in the company of Adam Buxton and Joe Cornish, who have built, through their cult Channel 4 programme The Adam and Joe Show and various radio shows and podcasts ever since, a devoted fanbase, who consider themselves personally acquainted with the pair. I t’s a weird experience, meeting two of your closest friends for the very first time – even if it is over Zoom.